Do you just rent out the gear, or do you set it up too?
We do the lot. We rig before the shoot and take it all down after. We recommend having one of our technicians on location while you film, and we can also support you remotely.
Reality TV
Sound, comms, cameras and live pictures from one partner. Proven on Farmen for TV 2.
On Farmen, 16 contestants live on a farm for weeks, and the best moments rarely happen on cue. We gave the production one rig that lets them see and hear all of it, live, from a control room about a kilometre away.
When 16 contestants live on a farm for weeks, the moments that matter rarely happen on cue. You need to catch all of them, without the tech getting in the way.
On Farmen for TV 2 and Strix, the production got one rig from one partner. We planned, rigged and ran the sound, comms, cameras and live pictures.
Contestants wear Wisycom mics all day. We placed antennas across the whole site, so the sound stays solid wherever people wander.
Everything is recorded on site with Sound Devices, a name most sound crews trust. The hosts wear Sennheiser in-ear monitors.
Riedel Bolero is the wireless intercom most productions already know. Here, 6 channels are set aside for listening, and each crew picks the one they need. The mix can be set up however you like. Our Fade app is connected to the whole system and is the app the teams use when they need to route audio.
We supplied 9 Sony FX6 cameras with everything they need: lenses, tripods and Easyrigs. Some were set up for a small team with a director and a camera operator. Others were built for VJs who shoot and direct on their own.
For the competitions, we brought a crane as well.
Four cameras roam freely with DJI wireless video. Their pictures land in the control room about a kilometre away, so the gallery sees things as they happen.
The gallery watches every feed on screen, talks to the crews over Bolero and has dedicated listening spots. Listening runs through Fade, a listening app we tailor to each production.
With Fade, you don't need to be on location to follow the action. The production office, the line producer or a producer working elsewhere can listen live.
The audio is encrypted and arrives with almost no delay. It works on the location wifi, or over mobile data when you're on the move.
We rig before the shoot and take everything down afterwards. We recommend having one of our technicians on location, and we can also support you remotely.
We do the lot. We rig before the shoot and take it all down after. We recommend having one of our technicians on location while you film, and we can also support you remotely.
Yes. There are 6 listening channels on Riedel Bolero, and any crew can pick the one they need. Each crew chooses what they want to hear and switches it on and off themselves in Fade or on their Bolero.
Yes, with Fade. The app works from the production office or on the move, it is encrypted, the delay is barely noticeable, and it can be adapted to your production's needs.
On Farmen we covered the whole farm. We plan the antennas for every location, so coverage follows where you actually film.
Yes. Everything comes in modules, so we scale mics, cameras and comms to your format and budget.
Tell us about the format, the location and the schedule. We'll come back with a rig, crew and a price that fits.